Sign up for the Today newsletter
Get everything you need to know to start your day, delivered right to your inbox every morning.
With a library of more than 3,500 films and a labyrinth of oddly specific categories and recommendations, finding the best movies on Netflix can be a chore.
To help you with your streaming decisions, we’ve compiled a list of some of the best movies on Netflix right now, ranging from new Netflix originals to classic films from decades past.
To further assist your nightly watching decisions, we’ve sorted our best-of list into genres, so you can immediately navigate to the best horror movies on Netflix or the best comedies on Netflix using the links below. We’ll also be adding movies that are new on Netflix to the top of the article each month.
Think our list is missing something? Email [email protected] with suggestions, whether it’s about ways to make this list more user-friendly or your personal favorite best movies on Netflix that we overlooked.
Runtime: 97 min.
Starring: Emilio Estevez, Paul Gleason, Anthony Michael Hall, Judd Nelson, Molly Ringwald, Ally Sheedy
Out of all the John Hughes “Brat Pack” films that filled multiplexes in the ’80s, none has stood the test of time as well as “The Breakfast Club,” which allowed generations of teenagers to see bits of themselves in the five high schoolers stuck in detention. All five actors transcend the reductive labels they’re given — “a brain, an athlete, a basket case, a princess, and a criminal” — and discover their shared humanity during a nine-hour Saturday detention. To this day, few screenwriters/directors have captured the voice of the youth like Hughes, who did it repeatedly (“Sixteen Candles,” “Ferris Bueller’s Day Off,” “Pretty in Pink,” “Home Alone”) in his tragically short career.
Watch “The Breakfast Club” on Netflix
Runtime: 100 min.
Starring: John Candy, Jean Louisa Kelly, Gaby Hoffman, Macaulay Culkin
The second Hughes movie added to Netflix in April stars John Candy as the titular Uncle, a hard-drinking layabout called into emergency babysitting duty when his brother and sister-in-law are called away for a funeral. While the couple’s younger children (Gaby Hoffman, Macaulay Culkin) warm to Buck right away, their teenage daughter (Boylston native Jean Louisa Kelly, making her film debut) is a tougher nut to crack. “Uncle Buck” captures so much of what made Candy an indelible screen presence, playing a guileless schlub you always root for, no matter how outré his persona.
Runtime: 101 min.
Starring: Natasha Lyonne, Elizabeth Olsen, Carrie Coon
“His Three Daughters” is a movie that will likely hit close to home for many of a certain age. Natasha Lyonne (“Poker Face”), Elizabeth Olsen (“WandaVision”), and Carrie Coon (“The Leftovers”) play three sisters whose lives followed different paths but are now forced to make nice in a cramped Manhattan apartment while caring for their ailing father. Lyonne (the stoned slacker), Coon (the uptight, judgmental mom), and Olsen (the conflict-averse yogi) speak to each other in a way that is both strangely stilted but also rooted in elemental truth about familial bonds. Watching them spar is heartbreaking, and watching them bond is hugely affirming.
Watch “His Three Daughters on Netflix.
Runtime: 210 min.
Starring: Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel
Martin Scorsese’s 210-minute crime saga follows the life of Frank Sheeran (Robert De Niro), who goes from driving trucks to leading a union, all while “painting houses” (killing people) for the likes of mobster Russell Bufalino (Joe Pesci) and protecting the interests of infamous union boss Jimmy Hoffa (Al Pacino). Instead of simply rehashing “Goodfellas,” Martin Scorsese goes deeper and darker, examining the life of a gangster who lived the life and is contemplating what it was all for.
Watch “The Irishman” on Netflix
Runtime: 121 min.
Starring: Olivia Colman, Dakota Johnson, Jessie Buckley, Paul Mescal
Based on the Elena Ferrante novel of the same name, “The Lost Daughter” is yet another masterful performance from Olivia Colman, who won a Best Actress Oscar in 2019 for “The Favourite” and could have easily won a Supporting Actress award 2020’s “The Father.” In this psychological drama from actress Maggie Gyllenhaal, Colman plays a prickly college professor on vacation in Greece who inserts herself in the lives of a young mother (Dakota Johnson) and her 3-year-old daughter. “The Lost Daughter” may have missed out on a Best Picture nomination, but it’s certainly among 2021’s best.
Watch “The Lost Daughter” on Netflix
Runtime: 129 min.
Cast: Carey Mulligan, Bradley Cooper
From the moment he first steps on screen in “Maestro,” Bradley Cooper is utterly magnetic as composer Leonard Bernstein. The life of the party wherever he goes, “Lenny” quickly begins a courtship with Felicia Montealegre (Carey Mulligan), each glance and one-liner delivered like he’s starring in his own sitcom. Even after decades of marriage, Bernstein still feels like he’s putting on a performance at all times, a function of both his gargantuan ego and the massive pressure of hiding his relationships with other men. As Montealegre, Mulligan sublimely captures a woman who willingly discards her own needs to support a generational talent. When Bernstein takes the stage to conduct Gustav Mahler’s “Resurrection Symphony,” with Montealegre watching in the wings, we understand why.
Runtime: 117 min.
Cast: Natalie Portman, Julianne Moore, Charles Melton
Director Todd Haynes walks an incredible tightrope act with “May December,” mixing dark comedy, melodrama, and psychological thrills to (unofficially) tell the lurid, ripped-from-the-headlines story of Mary Kay Letourneau. Actress Elizabeth Barry (Natalie Portman) shows up at the home of long-married couple Gracie (Julianne Moore) and Joe (Charles Melton, “Riverdale”) in order to shadow Gracie for a movie based on the couple’s tabloid-worthy romance. Moore and Portman have rarely been better, and Melton is a revelation — his child-like nature both amusing and heartbreaking. Not only does Haynes plumb the fragile psyche of the couple, but he also uses Portman’s Elizabeth to show how callous the Hollywood moviemaking factory can be in the pursuit of creating entertainment out of someone’s lived experiences. Portman, as it turns out, is better at playing a self-absorbed, talentless actress than most actors are at playing “real” people.
Watch “May December” on Netflix
Runtime: 126 min.
Starring: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee
Jane Campion’s Oscar-winning Western drama centers around two ranch-owning brothers, Phil (Benedict Cumberbatch, “Dr. Strange”) and George (Jesse Plemons, “The Irishman”). When George marries innkeeper Rose (Kirsten Dunst, “Bring It On”), Phil makes life difficult for her and her son, Peter (Kodi Smit-McPhee, “The Road”). Smit-McPhee is a revelation in the role, and Campion’s film is dark, foreboding, depressing, and utterly unmissable.
Watch “The Power of the Dog” on Netflix
Though this 2003 film was the last of John Grisham’s legal thrillers to be adapted for the big screen, it was by no means the least. Starring John Cusack as an unsuspecting juror, “Runaway Jury” marked the penultimate big-screen performance from Gene Hackman, who was tragically found dead this week at the age of 95. Hackman’s jury consultant Rankin Fitch is an avatar of pure greed and malevolence, as he works every angle to stack the jury box and ensure a clean verdict for his mega-corporation employer.
Watch “Runaway Jury” on Netflix
Runtime: 106 min.
Starring: Miles Teller, J.K. Simmons
“Whiplash” tells the story of a toxic teacher-pupil relationship between Andrew (Miles Teller), a young jazz drummer enrolled at an elite Manhattan music school, and Professor Fletcher (J.K. Simmons), a tyrant who verbally (and sometimes physically) punishes students who don’t meet his standards or match his tempo. Director Damien Chazelle moves his camera to the rhythm of the music, exploring why Andrew remains committed to such an egomaniacal monster, and how their relationship evolves as the closer he gets to a climactic performance.
Greta Gerwig’s pink-drenched comedy was a cultural force in the summer of 2023, taking its famous toy (Margot Robbie) on an odyssey of self-discovery from the confines of Barbieland to the harsh reality of 1980s Los Angeles. Both Barbie and Ken (a fantastically twitchy Ryan Gosling) learn much during their brief foray into the real world, though with drastically different results. Much like its main character, Gerwig’s “Barbie” refuses to be confined and defined. It’s a Mattel brand extension and an anti-capitalist screed. It’s an uplifting comedy and a sobering meditation on the agony of existence. More than anything, “Barbie” is one of the most subversive, unexpected summer blockbusters in recent memory.
Runtime: 139 min.
Starring: Daniel Craig, Edward Norton, Janelle Monáe, Kathryn Hahn
More madcap and funny than the 2019 original, the characters and locale of “Glass Onion: A Knives Out Mystery” shift from an old-money New England mansion to a new-money vacation compound, with Detective Benoit Blanc (Daniel Craig of James Bond fame) as the only holdover. This mystery concerns Elon Musk-esque tech billionaire Miles Bron (Edward Norton, “Fight Club”), who invites a group of his longtime friends to his private Greek island in the midst of the pandemic. As fashion entrepreneur Birdie Jay, Kate Hudson gets the most consistent laughs throughout the film, from insisting that everyone at her raucous 200-person apartment party is “in her pod” to her pathological desire to post career-ending tweets. Norton is a winner as well, playing the kind of billionaire who cultivates a worldly image that could nevertheless be deflated by a particularly clever child, a la “The Emperor’s New Clothes.”
Watch “Glass Onion: A Knives Out Mystery” on Netflix
Runtime: 115 min.
Starring: Glen Powell, Adria Arjona
Starring the breakout actor from Richard Linklater’s 2016 film “Everybody Wants Some!!,” “Hit Man” is loosely based on a true story about a nebbish college professor named Gary (Glen Powell) who moonlights as a faux hit man for the New Orleans Police Department. Gary, so afraid of breaking his low-stakes routine, takes the undercover duties as a chance to be someone else. When he meets an alluring woman (Adria Arjona, “Andor”) while in his hit man persona (this time a tough guy named Rod), the id and the superego (also the names of Gary’s cats) collide. Powell, who co-wrote the screenplay with Linklater, carefully modulates his performance as the line between Gary and Rod blurs — though not necessarily in a bad way. “Hit Man” is sexy, thought-provoking, and funny. And for a film about a fake hit man in over his head, it’s surprisingly grounded in reality when it comes to contemplating the nature of love, hate, and self.
Runtime: 115 min.
Cast: Channing Tatum, Matt Bomer, Joe Manganiello, Amber Heard, Donald Glover, Gabriel Iglesias, Andie MacDowell, Elizabeth Banks
For “Magic Mike XXL,” the juiced-up second entry in the male stripper — or, as one character repeatedly says, “male entertainer” — franchise, director Steven Soderbergh (“Traffic,” “Ocean’s 11”) handed the reins over to longtime collaborator Gregory Jacobs. The result is a film that is light on plot and heavy on stripper setpieces — which to be clear, is not a bad thing. Choreographer Alison Faulk ups the ante throughout the film as Magic Mike (Channing Tatum) and company workshop their show-stopping routines in the hopes of landing a lucrative, life-changing payday at a nationwide stripping convention. Every single person on screen appears to be having a blast, and if you give in to the fantasy world “XXL” creates, so will you.
Watch “Magic Mike XXL” on Netflix
Runtime: 124 min.
Starring: Julia Roberts, Hugh Grant, Hugh Bonneville
If you were writing, directing, or performing in a romantic comedy in the ’90s, your guiding light was Julia Roberts. In Roger Michell’s “Notting Hill,” she gets a chance to play wish fulfillment for audiences, playing an A-List actress who is secretly down-to-earth and falls for a bookshop owner (Hugh Grant). The pair’s chemistry and comedic timing is sublime, selling the fairy tale story so well that you’ll be a believer when the credits roll.
Watch “Notting Hill” on Netflix
Runtime: 97 min.
Cast: Emily Blunt, Millicent Simmonds, Noah Jupe, Djimon Hounsou
Following the events of the 2018 film “A Quiet Place,” the Abbott family (Emily Blunt, Millicent Simmonds, and Noah Jupe) must venture away from their carefully guarded home and face the horrors of the outside world. The family soon realizes the creatures that hunt by sound are not the only threats they face. Though “Part II” is once again written and produced by Newton native John Krasinski (“The Office”), the actor does not have a starring role this time around, with actors Cillian Murphy (“Peaky Blinders”) and Djimon Hounsou (“Blood Diamond”) joining the top-billed cast in his stead.
Watch: “A Quiet Place Part II” on Netflix
Runtime: 103 min.
Cast: Carla Gugino, Bruce Greenwood
Salem native Mike Flanagan (“Midnight Mass”) helms this Stephen King adaptation in which a handcuffed woman named Jessie (Carla Gugino) must escape a remote lake house after her husband suffers a fatal heart attack. This already daunting task is made tougher when Jessie begins to hallucinate, unlocking memories of her controlling husband’s behavior and a traumatizing incident from her youth. Flanagan’s deft touch and Gugino’s gutsy performance make “Gerald’s Game” stand out as a contemporary take on the survival horror genre.
Watch “Gerald’s Game” on Netflix
Runtime: 108 min.
Starring: Anthony Perkins, Vera Miles, John Gavin, Janet Leigh
Like many films now regarded among the best ever made, Alfred Hitchcock’s “Psycho” was not well received upon its 1960 release. Critics were uncomfortable with the boundary-pushing violence and sexual deviance, with one reviewer going so far as to permanently resign from her job after watching the film. But Hitchcock’s work quickly gained a following, and to this day is one of the most-referenced and oft-imitated films ever. As creepy innkeeper Norman Bates, Anthony Perkins set the standard for on-screen serial killers to come. As a runaway secretary with stolen money, Janet Leigh’s iconic shower scene anointed her the first scream queen, and essentially birthed the slasher genre. And with its staccato strings, Bernard Herrmann’s score set new standards for how music could impact mood. The fact that “Psycho” still shocks and terrifies audiences decades later is evidence enough that it remains a landmark cinematic achievement.
Like fellow ‘80s filmmakers George Lucas and Steven Spielberg, director Ridley Scott has tinkered with his landmark sci-fi film so many times that “Versions of Blade Runner” is its own Wikipedia page. Based on the Philip K. Dick novel “Do Androids Dream of Electric Sheep?,” “Blade Runner” follows L.A. cop Rick Deckard (Harrison Ford), whose job entails hunting “replicants” (bioengineered humanoids who are frequently indistinguishable from actual humans) in a dystopian 2019 Los Angeles. The version arriving on Netflix this weekend is Scott’s 25th anniversary “final cut,” which marked the end of Scott’s re-editing fervor.
Watch “Blade Runner: The Final Cut” on Netflix
Runtime: 166 min.
Cast: Timothee Chalamet, Zendaya, Christopher Walken, Florence Pugh, Rebecca Ferguson, Austin Butler
“Dune: Part Two” picks up shortly after the conclusion of 2021’s “Dune,” finding Paul and his mother, Lady Jessica (Rebecca Ferguson), fighting off Harkonnen troops on Arrakis. Chalamet’s Paul was adept at combat and statecraft in the first film, but he has leveled up this time around, overflowing with enough strength and charisma for reasonably intelligent people to build a religion around — which is exactly what happens. Whether Denis Villeneuve ends up making “Dune Messiah,” the director’s likely third (and final) film in the series, nothing can take away from this fulfillment of his grand creative vision.
Watch “Dune: Part Two” on Netflix
Runtime: 125 min.
Starring: Ryunosuke Kamiki, Minami Hamabe, Yuki Yamada
Set in 1950s Tokyo, “Godzilla Minus One” follows the journey of former kamikaze pilot Koichi (Ryunosuke Kamiki), who, by failing to die at the hands of Godzilla during World War II, lives in shame and is seen as a coward. He’s part of a nontraditional nuclear family, raising an orphaned child (Minami Hamabe) with another woman who lost everyone during the war (and subsequent Godzilla rampage). When the government seeks volunteers to help stop Godzilla, Koichi sees a chance for redemption. “Godzilla Minus One” is so much more than a standard monster movie, telling a hero’s tale that doesn’t hew to Western standards while interrogating how Japanese social attitudes pre- and post-atom bomb shifted. Not to worry, though: Godzilla still smashes and roars with the best of them, and looks better than his American counterpart on a fraction of the budget.
Watch “Godzilla Minus One” on Netflix
Runtime: 119 min.
Starring: Michael Fassbender, Tilda Swinton
David Fincher subverts expectations with “The Killer,” in which Michael Fassbender at first seems to be playing the prototypical contract killer. He has a set of rules, a code, and high-tech weaponry to get the job done. But even before he makes a mistake that sends him on the run, you begin to suspect that Fassbender may not be nearly as suave as his self-image. Indeed, “The Killer” posits that even elite assassins are no different than Uber drivers in a gig economy, with both of them scarfing fast food in between jobs and doing whatever is needed to get a five-star rating.
Unlike “Mad Max: Fury Road,” which rarely let its foot off the gas, “Furiosa” is told at a much more deliberate pace. We see a young Furiosa captured and then raised by a horde of desert marauders, led by the self-absorbed Dements (Chris Hemsworth). As an adult, Furiosa (Anya Taylor-Joy) has blended into the background, but she still harbors thoughts of escape — and revenge. The scene in which Charlize Theron’s Furiosa collapses to the ground and screams at the heavens in “Fury Road” carries so much more weight now that we’ve seen the origin story of a woman who was snatched from her mother, has been through hell, and emerges intact — albeit with a War Rig-sized chip on her shoulder. Enhancing one of the best films of the 2010s would be reason enough to see “Furiosa.” But even on its own, the film is a masterstroke from one of the greatest living auteurs.
Watch “Furiosa: A Mad Max Saga” on Netflix
Runtime: 131 min.
Starring: Aaron Pierre, Don Johnson, AnnaSophia Robb
Director Jeremy Saulnier’s “Rebel Ridge,” is a tale of revenge about a man named Terry (Aaron Pierre) who has his assets seized by corrupt local police on his way to post bail for his cousin. (If you haven’t read about civil asset forfeiture before, prepare to be outraged.) Unbowed and unbroken, Terry tries to handle things the right way, but Chief Sandy Burnne (Don Johnson, “Miami Vice”) won’t let him. Pierre is a magnetic leading man with action star written all over him, and you’ll be rooting for him to burn the whole force down by the time “Rebel Ridge” barrels toward its conclusion.
Watch “Rebel Ridge” on Netflix
Runtime: 121 min.
Starring: Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco
Watching “Spider-Man: Across the Spider-verse” in 2023 is reminiscent of the feeling audiences got 20+ years ago when Sam Raimi’s “Spider-Man” first hit theaters in 2002. Even now, approximately 7,000 superhero movies later, the blockbuster stands out for its tone, humor, and fantastic performances from Tobey Maguire as Peter Parker, Kirsten Dunst as girl next door Mary Jane Watson, and Willem Dafoe as the maniacal Green Goblin.
Runtime: 108 min.
Directors: Nicole Newnham, James Lebrecht
The 1960s were a time of political revolution in America, from the protests against the Vietnam War to landmark Civil Rights demonstrations. Less remembered but equally impactful were a series of protests held by Disabled in Action (DIA), an activist group that helped push reforms for the tens of millions of Americans with disabilities. The activist spirit is captured in “Crip Camp,” a documentary about a revolutionary summer camp that exposed disabled people to the free love and rock-‘n-roll lifestyle of the decade while, more importantly, treating them like human beings.
Watch “Crip Camp: A Disability Revolution” on Netflix
Runtime: 109 min.
Director: Margaret Brown
Produced by Barack and Michelle Obama’s Higher Ground Productions, “Descendant” follows members of an Alabama community known as Africatown whose ancestors were brought to America aboard the Clotilda, the last known slave ship to illegally transport slaves to the states shortly before the Civil War in 1860. The importation of slaves had been banned by Congress in 1807. After remnants of the ship were found in 2019, the film reveals how the residents of Africatown grapple with the implications the ship’s discovery has on their heritage and knowledge of self.
Runtime: 90 min.
Director: Kirsten Johnson
Death is not an easy thing to approach, especially when it comes to those we love most. In “Dick Johnson Is Dead,” documentary filmmaker Kirsten Johnson confronts the cognitive and physical decline of her father in a darkly comic way, filming her father dying over and over again, often in hilariously macabre circumstances. While Kirsten uses stunt doubles for some of the more physically taxing deaths, her father is with her the whole way, smiling and laughing as he helps support his daughter’s vision. You’ll laugh, you’ll cry, and you’ll be reminded that everyone’s grieving process manifests itself in different ways.
Watch “Dick Johnson Is Dead” on Netflix
Runtime: 114 minutes
Director: Josh Greenbaum
Will Ferrell and his longtime best friend, former “SNL” head writer Harper Steele, embark on a cross-country road trip with a dual purpose: Harper (who has recently transitioned to living as a woman) wants to find out whether she still feels comfortable in her favorite types of spaces (dive bars, sports arenas), while Will wants to support his friend and ask the kind of questions many Americans have. There are moments that feel a bit too scripted for the documentary conceit, but there are also genuinely harrowing moments of self-reflection for both Will and Harper as they crisscross the deep South. “Will & Harper” not only offers a path to understanding for Americans who know little about the lived trans experience, but reminds all of us that open and candid conversations with our friends, no matter how tough they might be, are always worth having.
Watch “Will & Harper” on Netflix
Runtime: 140 min.
Cast: Shameik Moore, Hailee Steinfeld, Brian Tyree Henry, Lauren Vélez, Jake Johnson
The animated sequel finds Miles Morales (Shameik Moore) increasingly struggling with the isolation of being the only Spider-Man in his universe after meeting so many Spider-verse compatriots he could relate to in the 2018 original. When he has a chance to join a multiverse Spider-person task force, he leaps at the opportunity. The “Spider-verse” art style is gorgeous, the script from Phil Lord and Chris Miller (“The Lego Movie”) is clever without being arch, and the opening 15 minutes will leave you positively giddy. (Note: This is the middle film in a trilogy, so don’t be upset when Spidey leaves you hanging by a thread.)
Watch “Spider-Man: Across the Spider-Verse” on Netflix
Runtime: 114 min.
Starring: Abbi Jacobson, Danny McBride, Maya Rudolph
Originally slated to be released in theaters by Sony Pictures under the title “Connected,” “The Mitchells vs. The Machines” ended up on Netflix instead due to the pandemic. After technophobic father Rick (Danny McBride, “Pineapple Express”) breaks his daughter Katie’s (Abbi Jacobson, “Broad City”) laptop before she leaves for college, he insists on canceling her flight to school and driving across the country together in order to repair their relationship. As they go, the family unwittingly becomes humanity’s last hope when a rogue AI begins to take over the world. Featuring a gorgeous animation style that evokes Sony’s “Spider-Man: Into the Spider-Verse,” the film has the perfect mix of kid-friendly characters and laughs that will appeal to all ages.
Watch “The Mitchells vs. the Machines” on Netflix
Runtime: 114 min.
Starring: Ewan McGregor, David Bradley
“Guillermo del Toro’s Pinocchio” is so named not only as a marketing ploy, but also because the “Shape of Water” director’s take on the classic fairy tale is so wholly his own. There are still plenty of familiar elements, from a talking cricket (though not named Jiminy) to dodgy villains who lead Pinocchio astray. But the stop-motion visuals from co-director Mark Gustafson feel like Geppetto himself hand-crafted them, and the intriguing undercurrent of fascism makes the film a relevant watch for adults as well.
Watch: “Guillermo del Toro’s Pinocchio” on Netflix
Note: This list contains movies available to U.S. subscribers to Netflix’s Standard or Premium plans. Viewers outside of the U.S. or subscribers to Netflix’s ad-supported Basic plan may not have access to these titles.
Kevin Slane is a staff writer for Boston.com covering entertainment and culture. His work focuses on movie reviews, streaming guides, celebrities, and things to do in Boston.
Get everything you need to know to start your day, delivered right to your inbox every morning.
Stay up to date with everything Boston. Receive the latest news and breaking updates, straight from our newsroom to your inbox.
Conversation
This discussion has ended. Please join elsewhere on Boston.com